Arts & Entertainment Another Hole In The Head: <i>The Beast</i> is good old-fashioned B grade camp and the audience for the almost-midnight showing of this soft-porn "monster" movie came with the right attitude. We were tipped off that this wasn't your average scary
Arts & Entertainment DocFest: <i>The Great Happiness Space: Tales of an Osaka Love Thief</i> goes inside a popular "host boy café" in Japan to examine the lives of both the patrons and the employees. Think of these cafes as kind of like strip clubs but the roles
Arts & Entertainment SFIFF: <i>They Chose China</i> is the relatively forgotten story of a handful of American soldiers who were prisoners of war in Chinese camps during the Korean War. At the end of the conflict they chose to stay
Arts & Entertainment SFIFF: We Stalk Matt Dillon We decided to while away the hours between the two movies in the press room watching a documentary on a personal monitor but through our headphones we could hear distressed SFIFF workers whispering
Arts & Entertainment SFIAAFF: <i>Red Doors</i> Lee's first feature film, played on Saturday and after seeing Grain in the Ear boy were we ready for something completely different. Red Doors is the director's vaguely autobiographical story of a modern
Arts & Entertainment SFIAAFF: <i>Grain in the Ear</i> The film festival representative who introduced this movie described it as "challenging," which we think may just be a euphemism for slow--but not in a bad way. If you're used to the fast
Arts & Entertainment SFIAAFF: <i>Rules of Dating</i> The pervy teacher, Lee (played by Lee Yu-rim) is part clumsy lothario and part relentless sexual predator whose creepiness is only mitigated by his over-riding goofiness. In one scene he drunkenly looks at
Arts & Entertainment SFIAAFF: <i>Americanese</i> Image from Americanese By contributing SFist MiHi Ahn
Arts & Entertainment Interview: Kang Je-gyu SFist contributor MiHi Ahn had an opportunity to correspond with Director Kang through an intrepeter, see their conversation after the jump! By SFist MiHi Ahn, contributing
