Criticism is a funny thing. One person loves a piece of art and another hates it. Happens all the time. But today there's a particularly delicious example of this phenomenon to relish.
Robert Zemeckis' and Tom Hanks' big new CGI Christmas movie, The Polar Express, opens today nationwide and is reviewed in this morning's papers. Being a bleeding-heart-left-wing-media-elitist, SFist takes both the august New York Times and the venerable San Francisco Chronicle and took great pleasure in reading Manohla Dargis' scathing review of the movie in the , in which she likens Santa's toy-making facilities to "a munitions factory," his front door to "one of Hitler's Nuremberg rally entrances," and his gigantic red gift-laden sack to "an airborne scrotum."
Times
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