Julia Cho's new play Aubergine, a world premiere that also marks the first production in the newly rechristened Peet's Theatre, is a thoughtful and fairly traditional play centered on two essential aspects of

As the local theater season winds to a close at two of our major companies, Berkeley Rep and A.C.T., there are two fun and splashy productions closing out their mainstage schedules.

You don't need to be a scholar of theater to have heard of Tartuffe, or its acclaimed playwright Molière. Molière, like Shakespeare before him, was both an actor and playwright and has come

Biographical one-person shows aren't always the stuff of thrilling drama. But if you take a legendary actress and give her some witty material written by one of our country's great political columnists, it

In the hands of certain directors, contemporary productions of Shakespeare can become something far greater than the sum of their parts. Mark Wing-Davey is one of those directors, and his take on Pericles,

Are you an American? Do you speak a foreign language with any fluency? Of course not. This assumption forms one of the core jokes in David Henry Hwang's new play Chinglish, which comes