First, a PSA: you can view for free the Sept. 24th performance of Aida in a live HD simulcast at the AT&T ballpark. Register here. Opera and garlic fries, the perfect combo. It's free, and you're actually helping the opera! more ›

We enjoyed two performances at SF Opera, the 2nd cast of Il Trovatore in the last performance of that run, and Mozart's Abduction from the Seraglio, which continues for three more performances. more ›

Soprano Sondra Radvanovsky made an incandescent San Francisco Opera debut this month as Leonora in Il Trovatore, prompting reviewers to glow about her, and rediscover their faith in the workhorses of the Italian repertoire. "Even if nothing else happens during the rest of the San Francisco Opera's 2009 fall season, soprano Sondra Radvanovsky has already provided us with at least one extraordinary and indelible musical memory." the SF Chronicle said. "In her company debut Sondra Radvanovsky wielded her alluring voice with affecting power and poignant intimacy," chimed the NY Times. The Examiner extolled her "big, fabulously projected voice" which "had every note in place." And the SFCV book-ended a lauding paragraph about her with "nothing matched the vocal and dramatic impact Radvanovsky made as Leonora" and "It was all marvelous to hear and witness, from beginning to end." She has sung this role at venerated institutions such as the Met or Covent Garden, so the quality of her performance should not exactly come as a surprise. more ›

No one can sell out the War Memorial Opera House faster than Anna Netrebko. Just try and get a ticket for Saturday night's La Traviata, if you want to see why for yourself. The Russian soprano is the biggest draw in opera nowadays: she's the rare bird with the transcendental voice, and, well, she has the physique you'd actually want to see in a satin negligee, as in this Roaring 20s Marta Domingo production of the Verdi masterpiece. Plus, she has an inspiring story, working her way up from scrubbing the floors of the Maryinksy Theater in St Peterbourg, to photo spreads in Vanity Fair, and receiving honors from Vladimir Putin. more ›

We learned yesterday that star soprano Patricia Racette had to withdraw from singing today in the Verdi Requiem at the SF Opera house, and will be replaced by Adler fellow Heidi Melton. Racette, a recent hit in Madame Butterfly, was to sing the Requiem for the first time. No disrespect meant to the up-and-coming Heidi Melton, who will nail it, but that's a bummer. Racette and Stephanie Blythe, that was a spectacular tag team. Nonetheless, the SF Opera orchestra and choir, under the baton of departing music director Donald Runnicles, will be on the stage for once, not in the pit. That should be an exciting farewell to the maestro. more ›

We're not too sure what to think of this lede: Some singers travel with their pets, a poodle or a dachshund, perhaps. Stephanie Blythe, one of the hottest properties in opera today, is luckier. She gets to travel with her husband, professional wrestler-turned-actor David Smith-Larsen... Huh? What are you implying, exactly? more ›

So foul and poor a play we haven't seen. At least, not during this San Francisco Opera season. That is, until now: behold, the vile production that is Macbeth. more ›