There was a time in our lives when we were convinced the Smashing Pumpkins were going to save rock n' roll. There was also a time in our lives when we were convinced Billy somehow plugged into our subconscious and in "Gish" captured the sound we dreamed of in the middle of the night. That was a long time ago. So we're not sure what to think of the announcement today that the Pumpkins 2.0 are going to play eight shows at the Fillmore from July 22 to August 1.
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Here's todays wrap up of the sports news
Look, we love the 90s as much as anyone. We loved the Smashing Pumpkins and the whole grunge thing and we loved Pubic Enemy and watching "BH 9'er" and "Melrose Place" back-to-back and we loved being in our twenties and partying all night in our tiny apartment in North Beach and actually being able to dream of a Democratic President. But as much as we love the idea of those days, we also realize we can't go back to them. Among other things, it's pretty much near impossible as we don't have a space ship we can slingshot around the sun with. And second of all, we're old enough to realize that, as a wise man once said, you can't go home again. Which brings us back to the Warriors who this morning fired Mike Montgomery and re-hired Don Nelson. That Don Nelson. You know, crazy, eccentric, mad-genius basketball coach known for employing smallish lineups with an emphasis on scoring and well-known inability to go anywhere in the playoffs. That Don Nelson. The Don Nelson who helmed the last hey-day of the Warriors, the RUN-TMC Warriors. The one who accidentally started the whole free-fall downfall of the franchise when he got into it with Chris Webber. And yes, the one who coached the Mavs and couldn't take them to the Finals until he retired and handed the team over to Avery Johnson.
. They were tripped out, looked great in velvet, and frickin’ rocked. In fact, we still occasionally put on our old casette of “Gish” and do some serious head-banging. We thought “Siamese Dreams” was cool if a bit over-done and thought “Melon Collie and the Infinite Sadness” was mighty impressive if a bit too long. But then, just as they could almost be called the Biggest Rock Band in the World, it all came to a crashing halt. “Adore” was alright if a bit too sedate (not to mention over-long) but “Machina: The Machine of Gods” pretty much sucked. Then came the inevitable band break-up, online feuding, and career drift (ie Zwan).
