Results tagged “opera”

SFist Interviews: <em>House in Bali</em>'s Evan Ziporyn

One of the most intriguing musical events of the new season is coming up this Saturday and Sunday: the American premiere of A House In Bali, a new opera by composer Evan Ziporyn at Zellerbach Hall in Berkeley with Cal Performances. Ziporyn, one of the founders of the Bang on a Can ensemble (a recurring visitor to the Bay Area) has been fascinated by Balinese music for almost thirty years, and he set up a book by Colin McPhee to his mix of Western and gamelan music. The book recalls the adventures of an American composer fascinated by Balinese music, in a mise-en-abyme on par with the Quaker holding the box of cereals and the Vache-qui-rit earring.

               

Sunday's annual Opera in the Park gathering was well attended by opera lovers both committed and occasional, despite the iffy weather. Whatever some may say about opera being a dying art form, people still enjoy hearing the greatest hits, like selections from La Boheme and Il Trovatore. Here, some pictures of the performers and the crowd spread out across Sharon Meadow and Hippie Hill. At around 4:30 p.m., the hippies moved back in and took their rightful place.

SF Opera's Merola Program: L'amico Fritz.

Attending the SF Opera Merola concerts is like opening a box of chocolate: the artists are mostly unknown young aspiring singers, dedicating their summer to the training program, so you never know what you are going to get. Will there be another Netrebko or Hampson? Or won't we hear of them again? And to double the element of surprise, they always select some rather obscure opera for one of the two fully staged shows. Chocolate boxes within boxes, man. This year: l'amico Fritz, by Mascagni.

SFist Reviews: Porgy & Bess

People seem to either love opera or feel like they should love it. For the would be lovers of operas the inaccessibility of the genre (even when the lyrics are in English, deciphering them can be tough) has been lessened recently by things such as projected lyrics, and opportunities to see good productions at local movie theaters or ball parks. Perhaps the best way to become an actual opera lover is to see a world-class production of the most accessible opera for American audiences: Porgy and Bess which currently playing at the SF opera.

SFist Interviews: Soprano Anna Netrebko

No one can sell out the War Memorial Opera House faster than Anna Netrebko. Just try and get a ticket for Saturday night's La Traviata, if you want to see why for yourself. The Russian soprano is the biggest draw in opera nowadays: she's the rare bird with the transcendental voice, and, well, she has the physique you'd actually want to see in a satin negligee, as in this Roaring 20s Marta Domingo production of the Verdi masterpiece. Plus, she has an inspiring story, working her way up from scrubbing the floors of the Maryinksy Theater in St Peterbourg, to photo spreads in Vanity Fair, and receiving honors from Vladimir Putin.

SFist Interviews Eric Owens

The Gershwin's Porgy and Bess opens tonight at SF Opera. It used to be dismissed, if you will, as a musical, but has now moved up to be considered one of the best American operas ever. Not that it's too crowded a category yet. In the role of Porgy, we have Eric Owens, a bass-baritone who is carving a name for himself with compelling performances in exciting productions, new and old. Also, a charmer.

SFist Tonight

PERFORMANCE: The Thrillpeddlers present the revival of the legendary Cockettes' 1970s crown jewel production, Pearls Over Shanghai, a comic mock-operetta about white slavery and miscegenation set in the colorful world of 1937 Shanghai, China. The event marks the Cockette's 40th anniversary. Tonight and tomorrow night's performances are preview nights, and the show opens on June 12.

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