Angela Gheorghiu, the diva, made her SF Opera debut on Wednesday evening, in Puccini's La Rondine. That she made it onstage was somewhat of an accomplishment; she just had been fired from a production in Chicago for missing rehearsals. She was attending her husband, French tenor Roberto Alagna, concert at the Met, it seems. (Alagna's claim to fame has been walking off the stage at La Scala in the middle of Aida, after being booed. His cover had to jump in, still sporting jeans, to keep the opera going.) Fittingly, they were dubbed the "Bonnie and Clyde" of the opera world before these exploits. The aforementioned are only the latest peccadilloes. (Visit the links above for more of their jaw-dropping behavior.)
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Continue reading "Touched by an Angela: La Rondine at SF Opera."
The SF Opera wraps up its Fall season with two girls behaving badly, Puccini's Manon Lescaut and Bizet's Carmen. Manon is a young woman, who on her way to seclusion in a convent, elopes with a poor student, Des Grieux. It is not said what peccadillo she committed to earn a sentence of life as a nun, but her brother, instead of being dismayed at the news of her disappearance, calmly expects her to show up as a courtisan sooner than later. Which she does in Act II, taking residence with a filthy rich old lech named Geronte. When she realizes that, for all her jewelry, she is bored, undersexed and misses her hot stud of a student, and attempts to leave the gilded jail with both Des Grieux and the bling-bling, drama unfolds.
Continue reading "Carmen and Manon: Girls Gone Wild"
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