SF Symphony guest conductor Fabio Luisi did his best last week to steal the thunder of violin megastar Joshua Bell. He opened the program with a tone poem by Richard Strauss, Don Juan. Tone poem means a symphonic little piece which tells a story, and, more often than not, said story is rather hard to follow: the instrumental language of an orchestra, as powerful and evocative as it is, is still open to multiple conflicting interpretations. To each their own daydream. Not with Luisi's Don Juan: after a crisp, brilliant opening that said, here comes Don Juan, he does not fuss around, Luisi and the SFSO delivered a sexy, lush rendition of the piece. It was a propulsive, erect, fanfare-ish opening. The strings (and Barantschik in particular) were seductive, the brass blended with the orchestra. A oboe playfully riffed on a snake charmer melodic line. ...

Both the San Francisco Symphony and the San Francisco Opera open their new seasons this week. Tomorrow, the symphony kicks it off with a gala, celebrating three anniversaries: Michael Tilson Thomas's, aka MTT, 10th anniversary at the baton, Shostakovich's 100th birthday next year, and the 25th anniversary for Davies Symphony Hall. Yo-Yo Ma at the cello would be our second best choice to perform Shostakovich's first cello concerto for tomorrow's performance. The first choice of......