Third opera in November, third reaction from the audience at curtain rise. After the enthusiastic applause for La Rondine's shiny marble sets after the bleak and silent shock of Macbeth's hole-in-the-wall sets, we got the giggles after catching sight of The Rake's Progress' opening oil field. The patrons were willing to entertain an oil well and a 1950s Americana re-setting that dramatically differs from Stravinsky's original 18th Century,even though they were a tad skeptical.......