Modern Language

mla.jpg We couldn't resist dropping by the Hilton today to witness the wind-down of the annual conference of the Modern Language Association.

In the lobby of the Hilton, we experienced a sort of soothing Brownian motion of name-tag-sporting academics, each clutching a laptop and tall paper coffee cup. We witnessed a lot of solitary e-mail checking, some happy reunions between old friends, and a few anxiously obsequious professional encounters.

Evading hotel security, we ducked into a meeting room to learn some knowledge. A dozen or so attendees were scattered about the room, attentively listening to the speaker at the podium. Just before launching into "a phenomenological reading of Act 4" of Susan Glaspell's play The Inheritors, the speaker announced that "If the subject of the The Inheritors is radical, it must be some form of radical liberalism, if you can have such a thing." This remark provoked many chuckles and vigorous head-nodding from the audience.

We certainly feel the pull of temptation to ridicule the MLA, and aspects of it certainly merit ridicule (as The Believer demonstrated in 2004). But after our 5 minutes in the Hilton we decided to love the MLA -- and we particularly loved the speaker and the interest he and his small audience shared in the thing they had come discuss.

After the jump, the MLA of yore.

This year's event was barely noticed in the press -- only than the aforementioned calendar item in SFWeekly, there was a only a brief note in sfgate.com's Bay Area Biz Blog.

In the heyday of the "culture wars" of the early 1990s, though, the MLA was a notorious but political battleground. In those days of yore, J. Danforth Quayle was Vice-President of the US and Dr. Mrs. Lynn Cheney (yes, that Cheney) ran the National Endowment for the Humanities. Flag pins and Gavin Newsom hadn't been invented yet, so the the Right had to go after somebody.

In those heady days, the New York Times would adoringly profile outlandishly postmodern and/or Marxist professors of literature, reprinting, as SFWeekly noted last week, the most bizarre-seeming paper titles from the conference program. Here's a short excerpt from a 1991 NYT article focused on NYU professor Andrew Ross:

"M.L.A. is an anxious, exploitative, self-referential universe," Ross says, "but we do get a lot done at these bashes." He straightens his hand-painted Japanese tie, smooths his pale mango wool-and-silk Comme des Garcons blazer ("It's a sendup of the academic male convention of yellow polyester") and checks the wedge-heeled suede lace-ups recently acquired on West Eighth Street in Greenwich Village ("White boy's shoes, worn always with white socks"). Politely sidestepping a clutch of Dante experts, Ross disappears into an elevator, off to present a paper on censorship, Mapplethorpe and 2 Live Crew.


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Comments (3) [rss]

Jonathan, I am anxiously awaiting your SFist review of the Composition Blues Band at 4Cs!

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The MLA guide gives me headaches. All the changes forces us college students to buy new guidebooks every single damn year.

Fortunately, I turned-in my thesis, now I don't have to worry about this anymore.

I would kill for that guy's outfit.

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