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<title>SFist: Ives Got Music, Who Can Ask for Anything More?</title>
<link>http://sfist.com/2007/11/19/ives_got_music.php</link>
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<title>bikeculturetheory</title>
<link>http://sfist.com/2007/11/19/ives_got_music.php#comment-1238641</link>
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<pubDate>Tue, 20 Nov 2007 08:59:38 -0800</pubDate>
<description>&lt;p&gt;I used to frequent the Pittsburgh Symphony regularly so I must admit that for the first hour with the irritatingly acronymed &apos;MTT&apos; I was a bit annoyed with the much different social vibe-- 

(really you ask? yes -- east coast  / west coast divisions are still important and a vital part of the energy of western art music performance in the u.s. today).

But then the Mendelssohn concerto was wonderful to hear and I felt like I was back in Pittsburgh with Mariss Jansons conducting...but then... the Ives.

Why are we playing this symphony by a rightist, nostalgic New Englander in San Francisco?  I know that Ives is not all bad and an important part of early American classical music (but perhaps that is just it..)--the piece made me wonder about what audience the music director and conductor were attempting to cater to with this piece, and I began nervously looking around to make sure I was not sitting next to Don Fisher...

This post may just be anti-American, I&apos;m not sure--in it I am anti-MTT, anti-Ives... anyhow.&lt;/p&gt;</description>
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<title>Spencer Williams</title>
<link>http://sfist.com/2007/11/19/ives_got_music.php#comment-1238475</link>
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<pubDate>Mon, 19 Nov 2007 20:36:32 -0800</pubDate>
<description>&lt;p&gt;Love the shout out to Gershwin! ;)&lt;/p&gt;</description>
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